Now what I like is that other artists know my work and are interested in me or want to collaborate.

In a way, it [my style] is an homage. But I didn't really know about it at first. But then when I started living in Berlin in the early '90s, I started getting ID and Dazed and Confused. I was shocked how close things were to my work.

The thing that drives me most crazy in the world is not to be believed.

In '83 I started travelling round Europe with my slide show. It wasn't until I moved to Europe and got accepted in a big way in Berlin in the '90s that I got acceptance by the big art world in New York. I didn't really get to be known, or in the market, til '93 in New York.

I always thought if I photographed anyone or anything enough, I would never lose the person, I would never lose the memory, I would never lose the place. But the pictures show me how much I've lost.

Gena Rowlands is fabulous.

I like it [Rotterdam] much better than Amsterdam which is too much like a postcard. It's too cute for me. Rotterdam is more real, it's got a stomach.