My husband makes me stay totally quiet in movies because otherwise it's [five minutes in] and I go, "Oh, so-and-so did it," and he's like, "OK, I haven't even finished my popcorn and you ruined it for me."

I did marry, I did get pregnant, but as I was giving birth, my daughter and I almost died. We were rushed to the hospital. I had an emergency cesarean and in that moment, in the emergency room, I felt my grandmother come to me. She was with me and when my daughter was born, instead of naming her Hailey, I named her Lucy after my grandmother. Hailey lives in the pages of my books.

I majored in Shakespearean studies at a very tiny school in Georgia.

I really like my doctors. Some of them I love. I trust them.

Honestly, some cases have been more famous than others - like Tot Mom, or Steven Avery, or Scott Peterson - but I would not characterize any one as being more special to me, more intriguing, or more important because that would be placing one victim as more important, or one defendant as more [notorious] than others, and I don't think that's right.

Hailey [as a character] was born when I left the courtroom and moved to New York for Cochran and Grace, my TV show with Johnnie Cochran. I moved with two boxes of clothes, a curling iron, and $300; I didn't know a soul in the city, so I would come home at night and I'd be all alone and just write. I missed the courtroom and [what led me to the courtroom] so much I wrote about it. After my fiancé Keith's murder, I had never thought I would have children - I thought that it was not God's plan for me to have a family.

With every story that TV covers, somebody - some corporation, some shareholders - are making money. That's true whether covering Libya, Iraq, the tsunami in Japan, Osama bin Laden, whatever story there is. That day, the shareholders are making money off it. Every newspaper that's sold, somebody's making a dime.