Time matters less than the nature of the people.

It's very hard to be a screenwriter. I remember getting a couple of awards. I got a PEN West award a million years ago when I did Running on Empty, and I sat in the room with all these writers. They wrote everything from novels to non-fiction to children's books to journalism - any kind of writing - and I realized that there was no one in the room who would ever read anything I'd written.

For many years I thought, "Well, I need to know a lot more to direct." But I looked around and watched all the people I know directing and thought, "No. I just need to know what I want it to be." Then there will be a lot of people to help me get it to there, especially Bobby Bukowski, he's a brilliant cinematographer.

I had been at the director's workshop for women at the AFI, which at the time was a great thing to do. I had always meant to direct, and for a variety of reasons that are hard to explain, I never did. I produced many things - there'll be people who tell you I directed through them - and of course I wrote. It took a divorce, a move back to New York and a kind of "now I can do anything" to say, "I really want to do this."

Raising a child is the only relationship you have where if you do it right, it will end in separation.

It would have to stand on the basis of what somebody had done to it and that would be the basis on which it would be judged. So it's a funny art form. You gain a great deal when you have good collaborators and sometimes people just don't understand what you've done.

I am, like everybody else, hurt when the thing I've done is misunderstood or attacked but I've gotten old enough to realize that if you do something, not everybody's got to like it. And if everybody likes it, it's probably not that interesting.