I have a bit of a frustrated dancer in me.

In your 20s - and these are generalizations of course - I feel like I didn't care about as many things or as many people, or even myself, as much. There's more recklessness and more ruthlessness; you're not as considerate of how things land with other people I think.

It'll take me a lot longer to read a script if there's no director attached.

I want collaboration, but if they don't have a plan or their vision isn't clear, it's nerve-wracking. So, someone that's very sure of the vision is what you want, most of all.

I feel like I've been hit by a car every night, that's how I feel emotionally after The Race show. But it is a complete dream come true. For me growing up in New York all I ever wanted to do was Broadway.

There's a set of rules out there somewhere that says it all ends by 40. I hope to be able to defy that because I truly love my work.

Liev cares about a lot things. Israel is one of them. We had the good fortune of going there a couple of years ago. To share that experience with him was a great pleasure.