Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up - they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles.

Sometimes you arrive late in the process of filming, which makes it a little scary because they've already got this well-established technique going on, and all of the relationships are comfy and cozy. You have to figure out how to fit in, which can always be a scary first day.

It's always nerve-racking to take off your clothes on film. But doing it with a woman felt safer than with a man. You know you can say, 'Don't grab me there: That's where my cellulite is'!

You're always nervous about how a film lands with an audience.

We're all the same, we all think its better somewhere else; its better being older if you're younger - or its better being younger when we're older.

There's a set of rules out there somewhere that says it all ends by 40. I hope to be able to defy that because I truly love my work.

What you want, as an actor, is a great leader. I can't bear it when I work with a director who is wishy-washy and says, "What did you think?"