I'm afraid that what most people don't know about me is that I'm very close to my brother and sister, who are 16 and 13, and I think I'm a pretty good big sister to them.

I'm not the greatest driver. I don't know if I'll ever master the art.

I really like Roland Moret, Alexander McQueen and Marios Schwab, a young British designer.

I really enjoyed working with Daniel [Craig], because he's a brilliant actor at the top of his game. That gave me an opportunity to learn from the best, which is what you're always looking for as a performer in order to grow and get better at your craft. It was also great because he was so nice and incredibly supportive, because it really was an intimidating experience for me. He sort of held my hand and said, "We're in this together and we'll get through it together." And he did look after me.

One of the saddest aspects for me about filming in South Africa was that the real inequalities are still very much in place - and those are economic inequalities.

Be open and honest, but perceptive to your boss's situation. That's my advice to graduates worried about working with a new boss.

Actors need steely determination. It's a tough profession with plenty of knocks along the way. You have to be very determined and never take 'no' for an answer.