[Barack] Obama seems to have no firm principles that I can discern that he will adhere to.

My contact with [Cato] was strange. They're ideologues, like Trotskyites. All questions must be seen and solved within the true faith of libertarianism, the idea of minimal government. And like Trotskyites, the guys from Cato can talk you to death.

I'm working on "Living the Bill of Rights," and it's about people - well, it starts with Brennan and Douglas as people who not only live the Bill of Rights, but try to shape the reason for that.

The Voice has been politically correct in many of its aspects since before that term was ever used.

I had not been very kind to J. Edgar Hoover. And the field agent had written on - it was sent directly to Hoover - that - the director should see this - `And, besides, Hentoff is a lousy writer.' And I thought that went a bit far.

Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.

I got a letter one day from somebody saying, `You're always criticizing the press. Why don't you talk about what Clay Felker is doing to your own paper [The Voice]?' And my 10-year-old son Tom, now with Williams & Connelly, put in a legal opinion, not - an opinion from the back of the car saying, `You know why? What are you, afraid?' So I wrote the column. I - you know, - the column simply said that Felker is destroying this paper.