They [FBI] had a lot of clippings, a lot of articles I'd written. And to me the - the funniest one was - I had done a piece for Playboy about J. Edgar Hoover.
Nat HentoffI guess I haven't talked to Bob Dylan since before then [interview to Rolling Stones]. I follow his career.
Nat Hentoff[Bill Shawn] had always been in The New Yorker immaculately dressed - quietly, immaculately dressed, very soft-spoken. On the phone I could hardly hear him sometimes.
Nat HentoffI got a letter one day from somebody saying, `You're always criticizing the press. Why don't you talk about what Clay Felker is doing to your own paper [The Voice]?' And my 10-year-old son Tom, now with Williams & Connelly, put in a legal opinion, not - an opinion from the back of the car saying, `You know why? What are you, afraid?' So I wrote the column. I - you know, - the column simply said that Felker is destroying this paper.
Nat Hentoff[Miranda Hentoff] was teaching once at Lincoln Center, and the hall was full of other professionals - musicians, professors, teachers. And she was explaining how [Béla] Bartok composed his second piano concerto. And she explained how the music was interwoven with the rhythms and what he had in his mind. And I was just stunned. This is a kid who used to work - on a piano with a cracked keyboard.
Nat Hentoff