Some of the most successful, talented actresses of our generation, be it Julianne Moore, or Charlize Theron, or Charlotte Gainsbourg, or Isabella Rossellini, if you know your cinema history, have taken their clothes off. There's nothing wrong with nudity, per se, if it's part of the storytelling and it's eloquent and it says something about the raw humanity of the story.

As an actor, your text is your bible, so you're not making a documentary, but you still have to follow the choices made by your writer.

It's wrong - everyone's concentrating on the wrong thing. There's 130 million people in crisis in this world at the moment, in humanitarian crisis, and most of them are women, more than half of them are women. So can we all stop slinging mud at each other about definition?

Feminist, whatever the definition, whatever you call yourself - I am, I'm not - none of us want little girls being forced into early marriage before they're 12.

I think the thing about Anne Boleyn is there is an exotic quality to her. This is a woman who wasn’t raised in the English court. She was in the French court and Hapsburg court. She has a continental exotic quality to her. She’s quite a fiery woman and incredibly intelligent. So I think Anne really stood out – fire and intelligence and boldness – in comparison to the English roses that were flopping around court, she would’ve stood out. And Henry noticed that.

I was a daydreamer as a kid. I want to act because of whatever artistic bone is in my body. I want to explore what it is to be alive. I just want to make good sh-t.

That's part of what I touch on in my [UN] speech - when assaults happen on women and girls in these fragile countries, in these places of crisis, there isn't the psychosocial support. There aren't counseling services. It's not in a lot of cultures to explicitly talk about things that maybe have happened to the body. So, repression of emotion, and shame, and guilt is something that really needs to be handled in humanitarian crises.