I'm sure it's there traced along my career. I'm sure it is in most actresses' careers.

When a show communicates on such a vast level internationally, you know, and philosophizes about power, gender politics, and crimes against humanity, which Game of Thrones deals with all those things, then I'm just grateful that it reinstates my faith that art can be life applicable.

I feel that we live in an age where everyone's trying to reduce, and soundbite, and cut it down to140 characters, and that's not what life is.

I'm a quasi-only child. With my brother and sister, I've more of a tendency to be semi-maternal. So, yes, I spent a lot of time talking to myself - I had this big dressing-up box and would just dress up as lots of characters and talk back to myself... Verging on schizophrenia, I suppose, if you analyse it carefully.

There's been a sort of mini-revolution, an uprising, as was long overdue, about these subject matters: ethnicity and gender equality.

Ive got a soft spot for really cheesy 1980s ballads by Pat Benatar and Foreigner. When I'm having my make-up put on at 6am and I need to be warmed up gently, it's always Ella Fitzgerald or Nina Simone.

Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.