That's part of what I touch on in my [UN] speech - when assaults happen on women and girls in these fragile countries, in these places of crisis, there isn't the psychosocial support. There aren't counseling services. It's not in a lot of cultures to explicitly talk about things that maybe have happened to the body. So, repression of emotion, and shame, and guilt is something that really needs to be handled in humanitarian crises.

I don't think you have to live in the fantasy world of Westeros to have problems with your mother-in-law.

I'm sure it's there traced along my career. I'm sure it is in most actresses' careers.

I started writing In Darkness out of a frustration of the quality of roles that I was reading in scripts for women.

Isnt it lovely to know that even the great Sherlock Holmes, the quirky and genius Sherlock Holmes, is vulnerable to love as we all are?

You don't want the white men to be written in a three-dimensional way but the black men, not. I mean, it's just about [how] scripts should always reflect real human beings. So that's what I look for.

You can be a good human being and just be shrewd.