When a show communicates on such a vast level internationally, you know, and philosophizes about power, gender politics, and crimes against humanity, which Game of Thrones deals with all those things, then I'm just grateful that it reinstates my faith that art can be life applicable.

There are a lot of parallels between the historical Henry VIII and Jonathan Rhys Meyers. There's an oscillation and extremity of emotion throughout his repertoire that lends itself beautifully to the nature of Henry VIII, definitely. He will push things to the limit, and yet remain in emotional control.

You're watching us and you don't realize how much makeup and how much lighting is involved when we look good. We have a lot of help where we are. I don't think that it's healthy for young girls to be looking at these beauty magazines and watching TV and these shows and thinking [that's the standard]… there's more European attitude - you look at French film, Spanish film, they're a little more open to quirks and human nature. That we're not all symmetrical, not all the same shape… we need more of that.

You can be a good human being and just be shrewd.

I started writing it six and a half years ago, so the landscape has changed a lot in that time.

Actors have this amazing skill - we bond quite quickly but equally we move on quite quickly. There's nothing particularly cold or capricious about it - we're troubadours and lead a troubadour's lifestyle.

We're getting caught up with labels: "Nudity: bad." It's not about "nudity: bad." It's about gratuitous oversexualization of children; it's complicated.