Let's say I've directed that [writing] energy into writing my latest book but suddenly, I really want to write about an onion. I don't say to myself, "No, you have stay on the subject," because I know that the longer I stay on the subject the more boring I get. So, if my mind wants to write about an onion, it might be a deeper way to go into what I'm working on, even though it might seem irrelevant. This is how I've learned to follow my mind.

Trust in what you love, continue to do it, and it will take you where you need to go. And don't worry too much about security. You will eventually have a deep security when you begin to do what you want.

In writing with detail, you are turning to face the world. It is a deeply political act, because you are not staying in the heat of your own emotions. You are offering up some good solid bread for the hungry.

This is what metaphor is. It is not saying that an ant is an elephant. Perhaps; both are alive. No. Metaphor is saying the ant is an elephant. Now, logically speaking, I know there is a difference. If you put elephants and ants before me, I believe that every time I will correctly identify the elephant and the ant. So metaphor must come from a very different place than that of the logical, intelligent mind. It comes from a place that is very courageous, willing to step out of our preconceived ways of seeing things and open so large that it can see the oneness in an ant and in an elephant.

In the past few years I've assigned books to be read before a student attends one of my weeklong seminars. I have been astonished by how few people -- people who supposedly want to write -- read books, and if they read them, how little they examine them.

To encounter a fine book and have time to read it is a wonderful thing.

As writers we need to crack open language.