I have a theory that self-made, first-generation actresses don't feel entitled to success.

I'd love to go to school, but every time I try I get a movie. That's actually how I get work: I enroll. That's like my good luck charm.

What I like to do is to give my real name in Starbucks but be really hostile each time, as if they're asking me something that I've never heard in my life. I give them a really dirty look, "Really? It's Natasha. Okay?" Like I've never been to Starbucks before. Each time. I enter the premises looking for combat.

Rather than spend so much time wondering if I'm going to get hired, or is it a problem that I've got this black-tar history, I've just got to keep doing what I'm doing and try to be decent.

I'm somebody who believes in funny things, and laughing, but I do like for them to come from a place that addresses the human condition.

The interesting trick of comedy, in a lot of ways, is to have both the comedy and the grounding of the real thing. You get a real sense of a human being.

It's such a weird thing: to sit and look at yourself is so distracting to the psyche. It would be like me standing in front of a mirror and looking at myself all day, trying to find a flaw.