Part of the reason for moving to New York was the sense that it just didn't matter how much work I did in England, I continued to be seen simply as a Redgrave. I did feel I could be who I am in New York and we all like to feel appreciated.

On the day we filmed the scene, a bee stung me. I screamed and cried so much they called a doctor, and my father said, "It can't hurt that badly!" But it wasn't the pain that upset me, it was the thought that I mightn't be in the film. Already the little professional.

Part of the reason for moving to New York was the sense that it just didn't matter how much work I did in England, I continued to be seen simply as a Redgrave. I did feel I could be who I am in New York and we all like to feel appreciated.

What my father especially taught me was to not always take the safe road, the easy road. If you are going to do good work, you have to risk failing badly.

When my father died of AIDS, I knew I had to do everything in my power to prevent others from going through what he endured. I support AmFAR which provides funds for cutting edge AIDS research so we can find a vaccine and a cure.

Im not the kind of actress that goes home with the character. I mean, youre thinking about the work or the next days scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.

A film is a director's vision... there is, however, much input an actor or actress can have.