My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, Give and Take, was about my Aunt Sugar, how I was losing her to her memory loss.

What is love?/ One name for it is knowledge.

First, I emptied the closets of your clothes, threw out the bowl of fruit, bruised from your touch, left empty the jars you bought for preserves. The next morning, birds rustled the fruit trees, and later when I twisted a ripe fig loose from its stem, I found it half eaten, the other side already rotting, or-like another I plucked and split open-being taken from the inside: a swarm of insects hollowing it. I'm too late, again, another space emptied by loss. Tomorrow, the bowl I have yet to fill.

The act of making poetry is an act of hope.

When I was born here in Gulfport in 1966, my parents' interracial marriage was still illegal. And it was very hard to drive around town with my parents, to be out in public with my parents.

There are indeed all sorts of men/ who visit here: those who want/ nothing but to talk or hear the soft tones/ of a woman's voice; others prefer/ simply to gaze upon me, my face/ turned from them as they touch/ only themselves. And then there are those,/ of course, whose desires I cannot commit/ to paper.

What's left is palimpsest—one memory bleeding into another, overwriting it.