Far too often scripts are being written with race in mind, but the subject matter doesn't lend itself to any conversation on race. I applaud Jesse [Zwick] for having the courage to say, this [About Alex] just a story about friends, and they could be anyone. There's no specific color that forces a relationship to be discussed in any other manner.

I believe in hiring people to do their jobs.I want to hire an editor.They say you make a movie three times: when you write it, when you direct it, and when you edit it. So I have three shots to get it right!

I think chemistry and great acting go hand-in-hand.

When you're in a relationship with someone you have to be in control of that relationship and you have to be as open as you can about everything, straight up, out the gate.

You can be addicted to White Supremacy and all of the benefits, you can be addicted to male privilege and all of the benefits that comes from it. It's like someone pointing at you and you have a stain on your shirt and you don't even know it.

How many films are there about friendships between teenagers? And how many projects are there dealing with friendships among adults? True friendships - really dealing with the intimacy behind what happened then, and how long you've known each other, and the wounds that haven't healed. That's what [About Alex] film is about.

I think it's like the '60s - we're going to see another revolution in film where these new filmmakers stand up and take ownership of what film is and mould it into what they want.