If a person was accused of being a racist when he was young - he said some racially insensitive thing or someone had him on tape calling someone the n-word or whatever - and then you fast forward and he feels, Oh, back then I didn't say this or that. He's not thinking about the person that he hurt when he said what he said, or however it came out, or the effects that it could have had. He's not thinking about it. He's thinking about his own self and how he feels.

I think there is having a behavior that is disrespectful to women that goes unchecked, where your manhood is defined by sexual conquests, where you trade stories with your friends and no one checks anyone. At 19, that was normal.

When I was young, to have a big nose, big lips or dark skin was the worst. You were the wretched.

I recognize as a man there's a lot of things that I don't have to think about. But I'm thinking about them now.

Any movement that has been successful in this country for Black liberation has included old and young, men and women, and people not of color that understand their superiority complex, that understand White supremacy, and that internalize that, sort that out, and heal from that in order that they might help, because there are some people of color that are not on our side.

How many films are there about friendships between teenagers? And how many projects are there dealing with friendships among adults? True friendships - really dealing with the intimacy behind what happened then, and how long you've known each other, and the wounds that haven't healed. That's what [About Alex] film is about.

I prefer to make movies which not only have a message for "then" but a message for "now."