You have a dramatic portion of your television program and you treat it dramatically, and then you have a comedic portion of your program, and you treat it differently. Why do you change who are between the two pieces? You're the same person. Just go.

You have a dramatic portion of your television program and you treat it dramatically, and then you have a comedic portion of your program, and you treat it differently. Why do you change who are between the two pieces? You're the same person. Just go.

I don't have 4 or 5 projects in front of me and an offer on every one saying 'what one would you like to do?' Things come along one at a time.

It's a trap I've fallen into earlier in my career - trying to be liked. Don't do it. When I watch TV and I see someone trying to make me like them, acting cute or quirky or goofy, I'm not impressed. Don't act like America's watching you. Just latch onto your character. Characters are flawed. Be unlikeable. Be flawed. Be a person.

I want my job to include a little adventure, a little more of a heightened reality than what I'm actually living. And 'Castle' has that. He gets this opportunity to tail these homicide detectives, and he's driven by that. He's a little immature, but he's obviously loving life.

I'm actually reading 'World War Z' again! It's incredibly realistic and it's written as an oral history through interviews with different characters. Max Brooks wrote this book in so many different voices. There are about forty or so. It's incredible. When I finish 'World War Z' I'm going to go back and start again on the 'Game of Thrones' series.

You want to put out a TV show? If you have the money to do it on your own, by yourself, and you have a TV network, you can do it by yourself. But the nature of the beast is, art needs finance. That's how this industry works. So until the Internet becomes our source of entertainment - and watch it, I believe it will - this is how things go.