Being in the industry, I've seen many situations where someone will get the call from the network where they say 'You guys have 5 episodes to wrap it up.' Then all your long-term story arcs gotta get wrapped up in five episodes because that's how many episodes you got left. I would hate to see that happen to 'Castle'.

I had an Indiana Jones fedora that I loved. I don't know what happened to it. I don't know where it went. Wish I had it back. Whoever's got it, you suck.

I have a trophy case that contains all the action figures ever made of me. It also has items I've stolen from my movies, like three guns and holsters from 'Serenity'.

I don't have 4 or 5 projects in front of me and an offer on every one saying 'what one would you like to do?' Things come along one at a time.

I relate to those characters - and any character I play - in as much as I put myself in their positions and feel how I would personally deal with their experiences.

Basically, after an ABC sitcom I did, I ended up with a holding deal with 20th Century Fox. Absolutely cool. It pays you to be unemployed. And the bigger the entity that gives you the deal, the better.

I've always noticed a difference between working with a director and working with a writer/director. In how much they're invested and how specific they are.