'Desperate Housewives' is an ensemble cast, where I played a tertiary character. I made a lot of great friends, but that show didn't keep me very busy.

I think people imagine that I have about five scripts sitting in front of me and I say, 'I think I'm going to go with the super hero thing and after that I'll wrap it up with some more sci-fi and then do a romantic comedy.' But it doesn't quite work out that way.

I tried my hand at writing, I tried to write out a little script - and it's not too bad. Mostly, though, it let me understand how incredibly difficult that job is. I can't even imagine doing it on a weekly basis for a series in any way. That's tough. I think I'll try to leave that to smarter people than me.

MEN WALK ON THE MOON. To me, this speaks of a time when America wasn't just about the almighty buck. The Russians had put up Sputnik, and the U.S. would not be outdone. I admire that about the American spirit. There's only one spot in history for the first ever of anything.

I relate to those characters - and any character I play - in as much as I put myself in their positions and feel how I would personally deal with their experiences.

When people embrace character, it informs their living, breathing moments in a scene so well.

I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.