Who one was, where one came from, what one was expected to be, the height of courage and character that were to be achieved, were woven into the fabric that linked oneself to all. . .
Nathan HugginsFor the Afro-American in the 1920's being a 'New Negro' was being 'Modern'. And being an 'New Negro' meant, largely, not being an 'Old Negro', disassociating oneself from the symbols and legacy of slavery - being urbane, assertive militant.
Nathan Huggins