Why are poets so apt to choose their mates, not for any similarity of poetic endowment, but for qualities which might make the happiness of the rudest handicraftsman as well as that of the ideal craftsman of the spirit? Because, probably, at his highest elevation, the poet needs no human intercourse; but he finds it dreary to descend, and be a stranger.

The fiend in his own shape is less hideous than when he rages in the breast of men.

Ugliness without tact is horrible.

Those with whom we can apparently become well acquainted in a few moments are generally the most difficult to rightly know and to understand.

There can be...no power...to disclose...the secrets that may be buried with a human heart. The heart, making itself guilty of such secrets, must perforce hold them until the day when all hidden things be revealed.

If we take the freedom to put a friend under our microscope, we thereby insulate him from many of his true relations, magnify his peculiarities, inevitably tear him into parts, and, of course, patch him very clumsily together again. What wonder, then, should we be frightened by the aspect of a monster.

Generosity is the flower of justice.