First of all, all writing includes some part of the self. The relationship of the self and the other exists in writing, whether autobiographical or novel. There is a self and an other.

Women were everywhere in the revolution. Women participated in it, and many women were killed. Then we had the right to speak up and gain some more rights, but what happened was there was a backlash. Why? Because we have the Salafists, Muslim Brothers, religious groups.

She is free to do what she wants, and free not to do it.

The parts in which I elaborated on the sexual life of the doctor herself, the personal life, her relation with men [in Memoirs of a Woman Doctor]. All this. They left only some very, very minute parts. And also the political, the political element in it. So in a way, they cut pieces that to my mind were very important.

Plastic surgery is a postmodern veil.

Home to me is the world because my books have been translated into more than 30 languages. People feel they know me and the minute they talk about my life or books I feel at home. Home is where you are appreciated, safe and protected, creative, and where you are loved – not where you are put in prison.

The medical profession [in Egypt] is also very commercial. Health is not given to the poor. You know, if you have money, you have medical care; if you do not, then you are in trouble. I was not ready at all to build my economic security on the diseases of people, on suffering, especially of women and children. So, in a way, I rebelled against it.