what was the right level of prosperity, the level that banished dire need but did not satiate, the level that did not threaten the artist in the individual? And how did one stop when one arrived at it?
Nayantara SahgalFormal education in British India was remarkable for its lack of connection with its Indian environment. Like the African persuaded to cover his nakedness with a Mother Hubbard, we wore mental Mother Hubbards, and they were often a sad fit. Our textbooks had been compiled by Englishmen for English children, of whom there were none in my school and few in any school in India.
Nayantara Sahgal[Race] had no substance, like a shadowy shape that terrifies in the dark but vanishes by the light of day.
Nayantara Sahgal