[Robert Smigel] is one of the greatest comedy writers in the last 50 years. "TV Funhouse" and Triumph and all those sketches.He's really unique, and he has an amazing comedy mind.

If there are older black people in the audience that I can see I will not say the n-word. I know they grew up with a different meaning.

With comics it's very close, like, "I don't want to say anything onstage that I wouldn't say offstage." Or vice versa. I say "faggot" in my special and in the joke I am the faggot, if that makes sense.

Slavery is the most insane thing... I don't know that we've ever seen in history, but it's got to be close. The idea of slavery is such a base impulse. It's like, "I'm going to kidnap you and then you're going to do everything I want." Like, what? And then there's the historical aspect. It had a huge effect on human history.

I just think [Gangster Party Line] is funny and stupid and all the dudes in it are real dudes. It's just a funny construction.

Movies are grander, with (in my experience) more heavy weight chefs in the kitchen: the studio, the producers, the writers. All of them get to weigh in and you have to listen to all of them because they hired you. With TV, it's a way smaller scale, with only a few people weighing in.

There are words that I wouldn't say because they hurt people's feelings. I just happen to be a white guy who writes for a lot of black comedians but if I wrote for a lot of gay comedians there might be stuff I would say then.