It's strange how we always want other people to feel what we feel. It must be a basic human drive. Misery loves company, right? Or when you see a movie that you love, don't you want to drag all your friends to see it as well? Because it's only good the second time if it's the first time for somebody else—as if their experience somehow resonates inside of you.

She plays music to heal herself, but nothing can heal her brokenness.

History is written by the victors--and when there is no victors, it all winds up in the corporate shredders.

Then Jix locked eyes with him and said very calmly, "If you hit her, I will open my mouth wide enough to swallow you whole, force you through my bowels, then out my other end." Avalon scowled at him. "You can't do that." "Try me," Jix said. Avalon backed off, then angrily stormed away, and Jix winked at Jill. "One in five.

I was asking if unwinding kills you, or if it leaves you alive somehow. C'mon—it's not like we haven't thought about it." (...) What do you think, Connor?" asks Hayden. "What hap­pens to your soul when you get unwound?" Who says I even got one?" For the sake of argument, let's say you do." Who says I want an argument?

I don't know what happens to our consciousness when we're unwound," says Connor. "I don't even know when that consciousness starts. But I do know this." He pauses to make sure all of them are listening. "We have a right to our lives!" The kids go wild. "We have a right to choose what happens to our bodies!" The cheers reach fever pitch. "We deserve a world where both those things are possible— and it's our job to help make that world.

In a perfect world everything would be either black or white, right or wrong, and everyone would know the difference. But this isn't a perfect world. The problem is people who think it is.