The science fiction approach doesn't mean it's always about the future; it's an awareness that this is different.

Constable Moore had reached the age when men can subject their bodies to the worst irritations - whisky, cigars, woolen clothes, bagpipes - without feeling a thing or, at least, without letting on.

Wait a minute, Juanita. Make up your mind. This Snow Crash thing—is it a virus, a drug, or a religion?" Juanita shrugs. "What's the difference?

But then, Cap'n Crunch in a flake form would be suicidal madness; it would last about as long, when immersed in milk, as snowflakes sifting down into a deep fryer. No, the cereal engineers at General Mills had to find a shape that would minimize surface area, and, as some sort of compromise between the sphere that is dictated by Euclidean geometry and whatever sunken treasure related shapes that the cereal aestheticians were probably clamoring for, they came up with this hard-to-pin-down striated pillow formation.

It is commonly the case with technologies that you can get the best insight about how they work by watching them fail.

But I'm not a small-literary-novel kind of guy, and once I'd developed the world in the first couple of hundred pages, I felt that there was potential here to go on and write an engaging story set in that world. So that's what I did. This probably ruins things both for the people who want small literary novels and for those who want action-packed epics, but anyway, it's what I wrote.

I'm strictly a one-project-at-a-time kind of guy. If I came up with a compelling idea for a different book while working on a project, I'd probably abandon the first project and go with the new idea.