Even the best of us have certain psychological mechanisms that can suddenly kick in and turn us into monsters. That to me is the basic message of events like the rise of Nazism, the Salem witch trials, and so on: not that bad people do bad things, but that good people do bad things. It's distressingly easy for those mechanisms to be triggered, either consciously by demagogues, or naively by people who think they're trying to do the right thing. Which is why I think it's more akin to tic-tac-toe.
Neal StephensonThat to me is the basic message of events like the rise of Nazism, the Salem witch trials, and so on: not that bad people do bad things, but that good people do bad things.
Neal StephensonWait a minute, Juanita. Make up your mind. This Snow Crash thingโis it a virus, a drug, or a religion?" Juanita shrugs. "What's the difference?
Neal StephensonEarly on, I settled on the first-person strategy as a way to deal with exposition and world-description issues. As long as the book is, it could have been far longer had I gone with an omniscient third-person narrator, or multiple point-of-view characters, since either of those would have enabled me to impart much more detailed information about the history and geography of the world.
Neal Stephenson