I really am just trying to tell stories. But stories are often grounded in larger events and themes. They don't have to be - there's a big literature of trailer-park, kitchen-table fiction that's just about goings-on in the lives of ordinary people - but my own tastes run toward stories that in addition to being good stories are set against a backdrop that is interesting to read and learn about.

A few dud universes can really clutter up your basement.

He had some measure of the infuriating trait that causes a young man to be a nonconformist for its own sake and found that the surest way to shock most people, in those days, was to believe that some kinds of behavior were bad and others good, and that it was reasonable to live one's life accordingly.

If the item of stolen property had been anything other than a book, it would have been confiscated. But a book is different - it is not just a material possession but the pathway to an enlightened mind, and thence to a well-ordered society.

How could your cover be blown in Canada? Why even bother going dark there? How could you tell?

Part of being a sentient human is the ability to anticipate others' mental states - to say "Fred's going to hate this but Jane would love it."

Hiro is a talented drifter. This is the kind of lifestyle that sounded romantic to him as recently as five years ago. But in the bleak light of full adulthood, which is to one's early twenties as Sunday morning is to Saturday night, he can clearly see what it really amounts to: He's broke and unemployed.