I one hundred percent recognize that comedy is a more narcissistic profession and that I cannot directly improve people's lives the way I could if I had stayed in the policy world. But the trade-off is that I'm happier doing jokes.

The biggest challenge in making movies, boring but true answer is money - you never have enough, so everything gets bootstrapped to death! I learned not only how to be better filmmakers because of it but better janitors, better drivers and better negotiators with cops who wanted to shut me down. You have to get creative.

In general, I think there are some things that require time before you can talk about them. Some stuff that happened over the summer, for instance - the Philando Castile shooting, Alton Sterling, the police officers in Dallas - there was no room for jokes. But there are, of course, the policies that have given us those events. Now, there's a lot of room for jokes there. When you're looking at something difficult to talk about, there's always a sideways way in that feels a little less personal to people. That's where the joke lives.

We twist ourselves into knots convincing people that Islam is peaceful and varied before we realize that, wait a second, you can be a Muslim while also recognizing that Islam doesn't even explain half of your behaviors!

There's something about political comedy that sometimes closes people off, and my general goal is to open people right up.

The fundamental truth guiding social justice comedy is that people are not shitty. That sounds cheesy, but that's how I have to approach it. Everybody has the capacity for change.

I one hundred percent recognize that comedy is a more narcissistic profession and that I cannot directly improve people's lives the way I could if I had stayed in the policy world. But the trade-off is that I'm happier doing jokes.