It's always good to go from a heavy song to a softer one. It helps having the attention of the audience for the whole show - three hours of the same songs for the whole show is boring.

Sometimes when you record an album in the end, there are things here and there you regret production wise or in composition.

It was always a great challenge: how can I make a dreampop album that's still very Alcest, but not a ripoff - how to keep the core.

It's always good to go from a heavy song to a softer one. It helps having the attention of the audience for the whole show - three hours of the same songs for the whole show is boring.

What excites me is to know I don't have any limits, that it's quite an open project, more open than I thought it could be. To have this freedom to try very different things. I listen to lots of music from every genre.

I always tried to make a diverse album in terms of emotions and sounds.

Every time I make a record, it's a gem with different facets, and every time I like to explore a different side. The core is the same, it never changes, but I try to create a different shape.