I remember the university as being very encouraging, especially to experimentation. I think you always get a lot of musicians in any art community, and it seemed like a lot of people I knew worked on films that got made locally.

I think the overall mood of the music informs the artwork, but I've found that good lyrics can be inspirational, too.

I loved surrealism and abstract painting, and anything related to those. I always thought painting was the highest form of art. What led me to drawing was seeing so much self-important, pretentious, conceptual-type art in university. I wanted to reject that by making quick, fun art.

I didn't really get into underground comics, though I've liked some of what I've seen. Dame Darcy was very impressive to meet, really talented. In general, I've always been more interested in searching out music, so I think I miss out on a lot of underground art.

I had so many ideas that I wanted to get out at once that it led to simple little drawings and paintings.

Taboos are always going to be interesting.Our [ with Michael Dumontier] style has its range and there is room for explicitness in violence, but not at the expense of our classy, highbrow image.

Each painting is its own world, but a lot of times I do see the paintings as one page from a story. You can imagine what has happened before or after. Sometimes they are worded as being a part of a story, especially the paintings where characters are in conversation.