I remember the university as being very encouraging, especially to experimentation. I think you always get a lot of musicians in any art community, and it seemed like a lot of people I knew worked on films that got made locally.

The Winnipeg Art Gallery has a good collection of Inuit art, and most of what I've seen I've seen there or in the few books I have. I should spend more time researching.

I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.

To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.

Taboos are always going to be interesting.Our [ with Michael Dumontier] style has its range and there is room for explicitness in violence, but not at the expense of our classy, highbrow image.

I had so many ideas that I wanted to get out at once that it led to simple little drawings and paintings.

I grew up on a farm with only two TV channels. I didn't grow up around much culture. When I got excited about painting, I never really got further than what would have been in a modern art history textbook.