I do not believe that all books will or should migrate onto screens: as Douglas Adams once pointed out to me, more than 20 years before the Kindle turned up, a physical book is like a shark. Sharks are old: there were sharks in the ocean before the dinosaurs. And the reason there are still sharks around is that sharks are better at being sharks than anything else is.

There are little pockets of old time in London, where things and places stay the same, like bubble in amber.

Young man," he said, "understand this: there are two Londons. There's London Above―that's where you lived―and then there's London Below―the Underside―inhabited by the people who fell through the cracks in the world. Now you're one of them. Good night.

There are little pockets of old time in London, where things and places stay the same, like bubbles in amber,” she explained. “There’s a lot of time in London, and it has to go somewhere—it doesn’t all get used up at once.” “I may still be hung over,” sighed Richard. “That almost made sense.

When you start off, you have to deal with the problems of failure. You need to be thickskinned, to learn that not every project will survive.

Have you ever been in love? Horrible isn't it? It makes you so vulnerable. It opens your chest and it opens up your heart and it means that someone can get inside you and mess you up.

This is a work of fiction. Still, given an infinite number of possible worlds, it must be true on one of them. And if a story set in an infinite number of possible worlds is true in one of them, then it must be true in all of them. So maybe, it's not as fictional as we think.