It always felt like the price of being a writer was that you would - even in the most terrible moments, there was a little phantom version of you sitting on your shoulder with a notebook going, I can use this. OK, look at the way that the light is glinting off the broken plastic on the road next to the blood. You can use this. And it was always a very strange feeling.

What would be the fun in doing things you know are going to work?

Diana used to tell me she had a travel jinx, something I only really started to believe when the plane door fell off.

Repeat after me, there are the living and the dead, there are day-folk and night-folk, there are ghouls and mist-walkers, there are high hunters and the Hounds of God. Also, there are solitary types." "What are you?" asked Bod. "I," she said sternly, "am Miss Lupescu." "And what is Silas?" She hesitated. Then she said, "He is a solitary type.

Each person who ever was or is or will be has a song. It isn't a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their song instead.

Rule one of reading other people's stories is that whenever you say 'well that's not convincing' the author tells you that's the bit that wasn't made up. This is because real life is under no obligation to be convincing.

Rain in the graveyard, and the world puddled into blurred reflections.