Kim Newman's Anno Dracula is back in print, and we must celebrate. It was the first mash-up of literature, history and vampires, and now, in a world in which vampires are everywhere, it's still the best, and its bite is just as sharp. Compulsory reading, commentary, and mindgame: glorious.

One thing I've learned: you can know anything, it's all there, you just have to find it.

People seem to think that they can't come up with ideas, and they're wrong. They can and they do, but they just think of it as daydreaming, or wasting time. Kids get told not to make things up, and in my case, nobody told me long enough, or it just didn't stick.

I love writing in longhand. Writing in longhand, I think, is a marvelous thing to do for a writer these days. If you have a notebook and a nice pen you can go off somewhere, you can write that's solar powered. You can drop it or get it wet and pretty much all of your work will continue to be there. If you suddenly decide to look up a word or check a reference you will not look up four hours later, blinking, finding yourself somehow in the middle of an Ebay auction you never had any plans to be part of.

I still love the book-ness of books, the smell of books: I am a book fetishist—books to me are the coolest and sexiest and most wonderful things there are.

I do not threaten, I merely advise caution.

It used to be thought that the events that changed the world were things like big bombs, maniac politicians, huge earthquakes, or vast population movements, but it has now been realized that this is a very old-fashioned view held by people totally out of touch with modern thought. The things that really change the world, according to Chaos theory, are the tiny things. A butterfly flaps its wings in the Amazonian jungle, and subsequently a storm ravages half of Europe.