There are characters in some short stories who exist as people, and there are other characters in different short stories who exist as purely literary constructs. You know, the young man in "Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire" - I probably got that right - is a literary construct, and enjoys being a literary construct. He has no life off stage, whereas the young men in "How to Talk to Girls at Parties" were as near to being real human beings as I could possibly get them.
Neil GaimanI believe we have an obligation to read for pleasure, in private and in public places. If we read for pleasure, if others see us reading, then we learn, we exercise our imaginations. We show others that reading is a good thing.
Neil GaimanYou know, I'm normally so sanguine. But... being accused of rushing these two books out to cash in on the Newbery Medal, without access to time travel equipment or anything, just makes me want to bang my forehead gently against a tree for half an hour. Is it too much to ask people to think?
Neil GaimanEmpathy is a tool for building people into groups, for allowing us to function as more than self-obsessed individuals.
Neil GaimanM is for magic. All the letters are, if you put them together properly. You can make magic with them, and dreams, and, I hope, even a few surprises.
Neil GaimanOne thing that's interesting to me is how we as humans seem to be losing our ability to stand still and be alone with our thoughts. If you want to, you have to arrange it now. You have to go off where there's no WiFi and leave your equipment behind, but still have some sort of GPS tracking to make sure you don't get lost or die.
Neil Gaiman