Making fiction for children, making books for children, isn't something you do for money. It's something you do because what children read and learn and see and take in changes them and forms them, and they make the future. They make the world we're going to wind up in, the world that will be here when we're gone. Which sounds preachy (and is more than you need for a quotebyte) but it's true. I want to tell kids important things, and I want them to love stories and love reading and love finding things out. I want them to be brave and wise. So I write for them.

I don't know. I had to be something, didn't I?

I do not permit affection or lack thereof to influence my actions. There is good, and there is evil. The good must be protected, the evil eradicated. I have shown you the triumph of evil as a caution.

Just go with it. It won't hurt.' I stared at him. Adults only ever said that when it, whatever it happened to be, was going to hurt so much.

Why does she want me?" Coraline asked the cat. "Why does she want me to stay here with her?" "She wants something to love, I think," said the cat. "Something that isn't her. She might want something to eat as well. It's hard to tell with creatures like that.

I like 'pencil-necked weasel'. It has 'pencil' in it. Pencils are good things. You can draw or write things with pencils. I think it's what you call someone when you're worried that using a long word like 'intellectual' may have too many syllables. It's not something that people who have serious, important things to say call other people.

I liked myths. They weren't adult stories and they weren't children's stories. They were better than that. They just were.