Rule one of reading other people's stories is that whenever you say 'well that's not convincing' the author tells you that's the bit that wasn't made up. This is because real life is under no obligation to be convincing.

It's a wonderful thing, as a writer, to be given parameters and walls and barriers.

You see, evil always contains the seeds of its own destruction. It is ultimately negative, and therefore encompasses its downfall even at its moments of apparent triumph. No matter how grandiose, how well-planned, how apparently foolproof of an evil plan, the inherent sinfulness will by definition rebound upon its instigators. No matter how apparently successful it may seem upon the way, at the end it will wreck itself. It will founder upon the rocks of iniquity and sink headfirst to vanish without trace into the seas of oblivion.

Writing, and especially writing a novel, where you get to sit in a room by yourself with either a pen and a paper or a computer for a couple of years, is a very solitary occupation. You can read sales figures - a hundred thousand books sold, half a million books sold - but they are just numbers.

"Ocean" is more about ... powerlessness and hopelessness. When we're very small we can't actually do anything - we have no say in what happens, we have no money or resources, we sometimes have no idea what's going on.

American Gods was designed to be if not open-ended, at least a trilogy kind of shape, so there's definitely one more book, probably another couple of books there to get written.

You musn’t be afraid of the dark.’ ‘I’m not,’ said Shadow. ‘I’m afraid of the people in the dark.