I love writing in longhand. Writing in longhand, I think, is a marvelous thing to do for a writer these days. If you have a notebook and a nice pen you can go off somewhere, you can write that's solar powered. You can drop it or get it wet and pretty much all of your work will continue to be there. If you suddenly decide to look up a word or check a reference you will not look up four hours later, blinking, finding yourself somehow in the middle of an Ebay auction you never had any plans to be part of.

Touched by her fingers, the two surviving chocolate people copulate desperately, losing themselves in a melting frenzy of lust, spending the last of their brief borrowed lives in a spasm of raspberry cream and fear.

I've known ambitious people with no aptitude for the thing they did. Most of whom, rather terrifyingly, tended to succeed.

It doth not hurt", whispered a faint voice, "She will take you life and all you are and all you care'st for, and she will leave you with nothing but mist and fog. She'll take your joy. And one day you'll wake and your heart and soul will have gone. A husk you'll be, a wisp you'll be, and a thing no more than a dream on waking, or a memory of something forgotten.

Being a writer of fiction isn't like being a compulsive liar, honestly.

For the record, I don't expect you to believe any of this. Not really. I'm a liar by trade, after all; albeit, I like to think, an honest liar.

I hope you'll make mistakes. If you're making mistakes, it means you're out there doing something.