Now me,” said Mr. Vandemar. “What number am I thinking of?” “I beg your pardon?” “What number am I thinking of?” repeated Mr. Vandemar. “It’s between one and a lot,” he added, helpfully.

Fiction can show you a different world. It can take you somewhere you’ve never been. Once you’ve visited other worlds, like those who ate fairy fruit, you can never be entirely content with the world that you grew up in. Discontent is a good thing: discontented people can modify and improve their worlds, leave them better, leave them different.

The only ones who ever come here from your lands are the minstrels, and the lovers, and the mad. And you don't look like much of a minstrel, and you're— pardon me for saying so lad, but it's true— ordinary as cheese crumbs. So it's love if you ask me.

So you used to know everything?" She wrinkled her nose. "Everybody did. I told you. It's nothing special, knowing how things work. And you really do have to give it all up if you want to play." "To play what?" "This," she said. She waved at the house and the sky and the impossible full moon and the skeins and the shawls and clusters of bright stars.

We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write.

We...we could be friends.' We COULD be rare specimens of an exotic breed of dancing African elephants, but we're not. At least, I'M not.

After a while it sort of began to rain, which is to say that it was the kind of rain that never comes to a decision about whether it's actually raining or not. Driving in it, you would never have been certain whether or not to turn on your wipers.