Now me,” said Mr. Vandemar. “What number am I thinking of?” “I beg your pardon?” “What number am I thinking of?” repeated Mr. Vandemar. “It’s between one and a lot,” he added, helpfully.

It's easier to believe in aliens than in gods.

She had forgotten them all; forgotten Richard down in the mud, and the marquis and his foolish crossbow, and the world. She was delighted and transported, in a perfect place, the world she lived for. Her world contained two things: Hunter, and the Beast. The Beast knew that too. It was the perfect match, the hunter and the hunted. And who was who, and which was which, only time would reveal; time and the dance.

Memory is the great deceiver. Perhaps there are some individuals whose memories act like tape recordings, daily records of their lives complete in every detail, but I am not one of them. My memory is a patchwork of occurrences, of discontinuous events roughly sewn together: The parts I remember, I remember precisely, whilst other sections seemed to have vanished completely.

Richard opened his hand, and the key stared up at him from his palm. "By my crooked teeth," asked Richard, remembering, "who am I?

Is there any person in the world who does not dream? Who does not contain within them worlds unimagined?

Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.