A good writer should be able to write comedic work that made you laugh, and scary stuff that made you scared, and fantasy or science fiction that imbued you with a sense of wonder, and mainstream journalism that gave you clear and concise information in a way that you wanted it.

Making fiction for children, making books for children, isn't something you do for money. It's something you do because what children read and learn and see and take in changes them and forms them, and they make the future. They make the world we're going to wind up in, the world that will be here when we're gone. Which sounds preachy (and is more than you need for a quotebyte) but it's true. I want to tell kids important things, and I want them to love stories and love reading and love finding things out. I want them to be brave and wise. So I write for them.

I finally made friends with my father when I entered my twenties. We had so little in common when I was a boy, and I am certain I had been a disappointment to him. He did not ask for a child with a book, off in its own world. He wanted a son who did what he had done; swam and boxed and played rugby, and drove cars at speed with abandon and joy, but that was not what he wound up with.

Nothin’ wrong with witchfinding. I’d like to be a witchfinder. It’s just, well, you’ve got to take it in turns. Today we’ll go out witchfinding, an’ tomorrow we could hide, an’ it’d be the witches’ turn to find US.

"Death's a capricious thing, innit?" "Yes. Yes, she is."

I think . . . I said things to Silas. He'll be angry.' 'If he didn't care about you, you couldn't upset him,' was all she said.

Nothing [the demon] could think up was half as bad as the stuff [people] thought up themselves. They seemed to have a talent for it. It was built into their design somehow. They were born into a world that was against them in a thousand little ways, and then devoted most of their energies to making it worse.