When writing a novel, that's pretty much entirely what life turns into: 'House burned down. Car stolen. Cat exploded. Did 1500 easy words, so all in all it was a pretty good day.

Stories are webs, interconnected strand to strand, and you follow each story to the center, because the center is the end. Each person is a strand of the story.

I liked myths. They weren't adult stories and they weren't children stories. They were better than that. They just were. Adult stories never made sense, and they were slow to start. They made me feel like there were secrets, Masonic, mythic secrets, to adulthood. Why didn't adults want to read about Narnia, about secret islands and smugglers and dangerous fairies?

There's this thing, they have in french: L'espirit d'escalier. The spirit of the stairway. I don't think we have a word for it in English. It means, well, the clever things to say that you only think to yourself when you're on the way out.

A typical National World Weekly would tell the world how Jesus' face was seen on a Big Mac bun bought by someone from Des Moines, with an artist's impression of the bun; how Elvis Presley was recently sighted working in a Burger Lord in Des Moines; how listening to Elvis records cured a Des Moines housewife's cancer; how the spate of werewolves infesting the Midwest are the offspring of noble pioneer women raped by Bigfoot; and that Elvis was taken by Space Aliens in 1976 because he was too good for this world. Remarkably, one of these stories is indeed true.

She didn't have a daddy?" I asked. "No." "Did you have a daddy?" "You're all questions, aren't you? No, love. We never went in for that sort of thing. You only need men if you want to breed more men.

Anywhere that I can't check my email is a good place to write!