I think as long as the standard of quality, the story-telling, film-making, acting etc. etc. remains consistent, then you've got a good change of making a decent anthology.

I love splashing the blood around.

I think there's a whole book being written about it in the UK. I don't know if you can get it here. It's about all the hidden messages and meetings in this and the fact that it is about women and the fact that this cave is full of blood and all this kind of stuff. And when I was making it, I didn't make it with that specifically in mind, but I always had it in the back of mind and I thought, 'Let's just throw it in there and see what people make of it.' And people seem to be making quite a lot of it. So I don't want to spell it out or say this, that or the other.

It's the one thing, a compromise I guess. On network it's the one thing you can't smoke on network. That's one of his character traits. We're working around that. We're trying to get aspects of it in there as much as possible. We'll see.

Whatever the regulations are, you can be as dark and disturbing as you want and we're going to go in that direction. The intention is to be as dark and scary as possible with the show. And that was our whole kind of plan going in, to make it scary. So we're going to explore all kinds of things.

I think as long as the standard of quality, the story-telling, film-making, acting etc. etc. remains consistent, then you've got a good change of making a decent anthology.

At the end of the day, you're trying to make a certain film within a certain budget. Those rules never change.