I think as long as the standard of quality, the story-telling, film-making, acting etc. etc. remains consistent, then you've got a good change of making a decent anthology.

I think there's a whole book being written about it in the UK. I don't know if you can get it here. It's about all the hidden messages and meetings in this and the fact that it is about women and the fact that this cave is full of blood and all this kind of stuff. And when I was making it, I didn't make it with that specifically in mind, but I always had it in the back of mind and I thought, 'Let's just throw it in there and see what people make of it.' And people seem to be making quite a lot of it. So I don't want to spell it out or say this, that or the other.

But the smoking is very frustrating. Who knows where it will go; where the story will go; where the character will go? There's still lots of options.

It's the one thing, a compromise I guess. On network it's the one thing you can't smoke on network. That's one of his character traits. We're working around that. We're trying to get aspects of it in there as much as possible. We'll see.

I think as long as the standard of quality, the story-telling, film-making, acting etc. etc. remains consistent, then you've got a good change of making a decent anthology.

The '80s just had this sense of outrageous fun coupled with great stories and characters. Then there's the practical effects and buckets of gore in movies. These are movies that, for the most part, still stand up to this day. But I guess the real reason for my love and obsession with this period is these were my first horror movies. I was a teenager during the '80s and I think spending that part of your life in that particular time really has an impact on you for the rest of your life.

At the end of the day, you're trying to make a certain film within a certain budget. Those rules never change.