For film, I audition just like everyone else, because it's a different set of casting directors.

I don't know, but I think kids just want to be listened to, so I want to make sure I do that.

With the Tonys it's a little tricky because a lot of the funnier jokes are more insider, so people watching at home may not get a Julie Taymor reference the way that New Yorkers would. So you have to figure out what comedy plays to a large audience and still respect the individuals who are there.

I do a lot of books on tape for Beverly Cleary, and another 'Smurfs' shout-out for that demographic.

Jim Henson was the only piece of fan mail I ever wrote when I was a little kid.

As I learned from chapters past, it's important to try and stay in the chapter that you're in, and enjoy it while it's lasting. Not be constantly worrying about where this step will take you - living in the potential future. Like a good meal. Like a good chef's tasting meal. You don't want to wonder what's next while you're eating the foie gras.

I'm very interested in starting to produce, and direct, and have an umbrella over an entire project in the future. I'd like to have control over what the characters do. I think as an actor, you get a little too caught up in the moment-to-moment, beat-to-beat stuff to have perspective.