The voiceover thing is very selfless. You go in there and they've hired you for your voice, but they know exactly what they want, and the writer's there and he knows exactly how it's supposed to be said. So you can't really argue with them, you just have to let them tell you what to do and then do it.

I think when dance is mediocre, it's painful. But when dance is really impressive, it destroys.

For film, I audition just like everyone else, because it's a different set of casting directors.

I sort of pride myself in my dissatisfaction with my work. I've always been concerned with buying the hype, and having that make your performances suffer.

As an actor, you most often play relatively average parts, so to get to play extreme versions of anything, those are the most exciting parts.

Playing a villain was fun, only because you get to do all the things you wouldn't normally do in your real life.

If I'm doing some weird tick with my mouth, or not standing still or something, I'll be the first person to notice it, and then want to change that. I think it's important just to maintain trajectory, to not just use your same tricks over and over.