The voiceover thing is very selfless. You go in there and they've hired you for your voice, but they know exactly what they want, and the writer's there and he knows exactly how it's supposed to be said. So you can't really argue with them, you just have to let them tell you what to do and then do it.

I've got no plans to be a ballet dancer at the moment.

I'm very interested in starting to produce, and direct, and have an umbrella over an entire project in the future. I'd like to have control over what the characters do. I think as an actor, you get a little too caught up in the moment-to-moment, beat-to-beat stuff to have perspective.

I have more artistic control in a smaller show. But it doesn't really matter. Sometimes you can have the smallest role in the smallest production and still make a big impact.

I do a lot of books on tape for Beverly Cleary, and another 'Smurfs' shout-out for that demographic.

I love the 'So You Think You Can Dance' show. I love it. I think it's some of the best hours on TV.

What defines a relationship is the work that's involved to maintain it, and it's constantly changing.