I did enjoy singing the song, called "The Count", which is Count Olaf's big song that he sings to the kids when they first arrive with his henchpeople. He wrote it himself, and he thinks he's really, really talented, and it's a terrible song. So we had to learn intentionally bad choreography... We did these almost Lady Gaga-ish kind of movements, which were just awful, but that made me laugh

Babies just change everything. You have to become super-selfless and super-tired and super-amenable to change. They just change all the time.

I'm lucky that people believe me when I'm in character.

I have a very large forehead. I have a pronounced skull. Maybe producers think that there is a lot going on up in there.

I feel like I know where I'm going. And I like where I'm going.

With the Tonys it's a little tricky because a lot of the funnier jokes are more insider, so people watching at home may not get a Julie Taymor reference the way that New Yorkers would. So you have to figure out what comedy plays to a large audience and still respect the individuals who are there.

You have to be careful when you're doing an interview.