In my 20s, I mostly ate burritos and nachos, with the occasional burger.

I'm very interested in starting to produce, and direct, and have an umbrella over an entire project in the future. I'd like to have control over what the characters do. I think as an actor, you get a little too caught up in the moment-to-moment, beat-to-beat stuff to have perspective.

The voiceover thing is very selfless. You go in there and they've hired you for your voice, but they know exactly what they want, and the writer's there and he knows exactly how it's supposed to be said. So you can't really argue with them, you just have to let them tell you what to do and then do it.

Before babies, I worked very hard to make sure I understood my surroundings and figured out where I fit in the world, whether it was at work or whether it was in a social situation. And with kids, you just can't. The rule is you can't really do that because they dictate and they change so much so you just have to go with the flow more and be present and not have big expectations and be amused all the time.

I don't know, but I think kids just want to be listened to, so I want to make sure I do that.

I often teach a graduate theater seminar on Greek tragedy in performance. I usually begin by saying that no matter what technological advances occur, the wisdom of these plays will never be obsolete.

I sort of pride myself in my dissatisfaction with my work. I've always been concerned with buying the hype, and having that make your performances suffer.