I'm a big proponent of monogamous relationships regardless of sexuality, and I'm proud of how the nation is steering toward that.

I've been very fortunate to go from interesting chapter to interesting chapter.

I feel like with actors wanting to direct, you really only have a shot or two. You can't just make a bunch of little independent movies, and then finally one gets noticed. You have to make a really good one right away.

I find myself acting for an editor more, because there's a quick turnaround with television, so you want to try and seem like you're as frenetic as possible, while replicating your movement so you're giving the editor more opportunity to cut within the different takes. If you're so crazy that you're sitting in one take and standing in another, the editor can only choose one take or the other. But if you can wrangle yourself into the same spot over and over, then you give them more choices for you.

With the Tonys it's a little tricky because a lot of the funnier jokes are more insider, so people watching at home may not get a Julie Taymor reference the way that New Yorkers would. So you have to figure out what comedy plays to a large audience and still respect the individuals who are there.

My favorite time to dance is at, like, wedding receptions, when it's all ages and everyone seems to be having fun.

I'm in a play on Broadway, I have an animated TV show coming up, I have a few movies that just came out.