I enjoy darker sardonic wit more than knock-knock jokes. I spent the first healthy chunk of my career playing all-American, pleasant, average, nice people, so it's fun to have some complications there.

With the Tonys it's a little tricky because a lot of the funnier jokes are more insider, so people watching at home may not get a Julie Taymor reference the way that New Yorkers would. So you have to figure out what comedy plays to a large audience and still respect the individuals who are there.

I've been very fortunate to go from interesting chapter to interesting chapter. I've always enjoyed the process and always enjoyed working more really than the end result of what it achieves. I'm more interested in doing the work.

Babies laughing is like opium.

I feel like I know where I'm going. And I like where I'm going.

I regret not dancing more, just cutting loose on the dance floor. I still admire those who don't care much about what others think of them.

Starship Troopers was great. It was great fun to work on something with blue screens and big budget special effects. Denise Richards was nice to look at too, of course.