I enjoy darker sardonic wit more than knock-knock jokes. I spent the first healthy chunk of my career playing all-American, pleasant, average, nice people, so it's fun to have some complications there.

It's like, the more you commit, the happier the animators are; if you're at all iffy and concerned, then it doesn't free them up to do as much fun stuff, so you have to just go for it and, again, trust the people around you and not be seemingly guarded and numb. Throw caution to the wind a bit.

I felt a little green, because Shakespeare writes the thought process within the text; it was tricky not to think of what to say and then say it, and instead just deliver the lines.

I get to choose things that interest me as opposed to trying to get any job that will have me, which for a vast majority of actors is the case.

I was a big fan of how Johnny Carson hosted awards shows. Dick Cavett, as well, I think did a really great job of providing a nice blend of comedy, wit and class.

We're trying to get as many people to become interested in seeing it, but if you like the theater and you're interested in seeing what live theater looks like in New York, you probably already set your DVR. It's gonna be a hard ask to get a bunch of college-basketball fans to tune in for three hours to watch the Tonys.

A cardio-funk class - I should have at least taken one of those. But it's always terrified me. I'm never one to be a dancer on the dance floor, even at a bar or a club.